Where did you live before Slovenia, and what brought you here?
Before Slovenia, my husband and I were living in London. Despite both of us working in the city, we always had a hand in property development. In 2004, when many countries joined the EU, we started looking at our options to invest aboard. We stumbled across Slovenia on a map and were mesmerized by its locations. We knew straight away this would be a great place to have a vacation home as its proximity to all the other countries and small size made getting away relatively easy. This was going to be our base camp for many adventures. Little did we know at the time that we would call this place home for the next 12 years.
A television interview with Jade van Baaren
How did you start looking for work here, and what was that experience like?
I think I came here with an idea of what I would do, but this quickly changed. I think that you have to be willing to be flexible and find what the country lacks and what you can offer. I have noticed with a few people that I know that they also came here with big ideas of what would work, but soon found out that they had to do a bit if soul searching and work hard to make a go of it here.
What’s your business, and how long have you been running it?
I am a renovation project manager and also run JVB Designworks. A company that consists of architects and design consultants. We run projects from start to finish for our clients, offering full renovations and design with a turnkey finish.
What was your experience of starting a business here?
Like any new business it was a lot of hard work with a strong learning curve. I had to get the right people in the right place for it all to run smoothly. Now, after many years, we are reaching this point. However, in the construction and design business you will always encounter challenges, but that’s what I love about the job.
What kind of problems can you help people solve?
After many years in the business I have a lot of knowledge, not just of construction and design issues, but also in finding out who the client is and what they are really looking to get out of the project. Most of my projects are for the rental market, so I also have to know what the market is wanting, expecting and needs. Many of our projects are in idyllic but remote spots in Slovenia. These can be the most breathtaking places to relax and enjoy nature in all its grandeur, but can also be the most challenging spots for construction, electrical works, plumbing and water.
So most of my projects come with challenges, but for me it’s like an unsolved puzzle. There is always a solution, the trick is to approach problems from many different angles.
How are you qualified to solve these problems?
It takes a big team to solve all these problems, and I can say that I have throughout the years found the best people in their fields to help us solve various issues. I’ve been working in Slovenia on renovations for 12 years now, starting with our own place when we first moved here. I have architects, engineers and construction specialist, all part of the JVB Designworks team who play a role in the problem-solving process. However, I think my own many years working and living in so many different countries have given me the ability to see things from many different angles, and I would say that problem solving is one of my biggest strengths.
How has the business changed over the years, and what are your plans for the future?
Well it’s grown, that would be the biggest change so far. More clients investing in Slovenia are now interested in restoring older properties, which is my specialty.
With regard to the future, I have lots of ideas in the pipeline that are not ready to be shown yet, but I’m always just looking to run things more efficiently, keeping up with the latest eco-technology so these places can run better and be more affordable. And always getting to know the rental market better.
Where can people find out more about your work?
My Facebook page has all my latest and greatest projects. I like to often show off these magical places I get to work in and the fun side of renovations. We love before and after pictures, as the transformations is huge. It’s hard to keep this up on my website, so Facebook is the best place to view all current projects.
What was your experience of culture shock in Slovenia?
It was very hard at first to live here. I found that the people where naturally suspicious of our intentions. Slovenian’s are very family oriented, and as an outsider it is very hard to break into social circles. Coming from a vibrant city like London, where we had a big social scene with lots going on, and then moving here where we had little interaction with anyone – I think that was the biggest shock for me, and something I didn’t think about when moving here. I have moved many times in my life, more than most, and never came across such a closed culture.
What are some things from Slovenia that you think your home country could benefit from?
I think Slovenians approach to conservation and environmental issues is something that a lot of countries could befit from. It is true that Slovenia is a small place, and this can be a benefit when implementing environmental measures. They love the outdoors and have great respect for nature.
And what are some thing from your home country that you think Slovenia could benefit from?
I would like to see the Slovenians have a bit more of an open mind and be more trusting, as I think this is just a better way to live.
Have you learned Slovene?
This is a touchy subject. I have been trying to learn Slovenia for years. I have taken courses, but to be honest starting and running my business and having a family have taken priority. If it came easy that would be another story, but It does not, and I would have to spend a lot of time to perfect it. I can get by but it’s very basic.
What things frustrate you about life in Slovenia?
I kind of love to call it SLOWvenia. In contrast to places like NYC and London, were life runs at a very fast pace and its expected to have immediate results, things just move at a different pace here, a slower pace. That used to frustrate me, but after 12 years I have adapted to this way of life, almost.
What things delight you?
The quality of life for my children. I know they are in the best place in the world for growing up, growing up, learning values and most of all they are in a safe environment
Do you think you’ll stay in Slovenia for the rest of your life?
Well I would never say that about any place due to my history. But so far I’ve lived longer in Slovenia than anywhere else.
Would you advise a friend to move to Slovenia?
Not if you’re young, when you should go out and be pushed around by the big players, get experience, be challenged, work hard. Then come here and raise a family. Be a big fish in a small pond.
What do you wish someone had told you before you moved here?
Nothing, or else I don’t think I would have come if I’d known how difficult it was going to be. Many times, we almost packed it in. I would say the first six years I was very close to jumping on a plane and getting out of here. But now I am doing what I love, and my family is happy and healthy.
As well as the links throughout this story, you can see more of Jade and her team’s work at JVB Designwork’s website.
STA, 27 June 2019 - An exhibition on famous Slovenian architect and designer Jože Plečnik (1872-1957) and his designs of sacred objects opened in the Vatican Museums on Thursday evening, featuring 33 selected liturgical vessels as well as video presentations of his sacred architectural works.
The opening was attended and addressed by Prime Minister Marjan Šarec and Culture Minister Zoran Poznič.
Šarec said at a reception for Slovenian Statehood Day, which followed the opening of the exhibition, that Slovenia should be proud and happy as this was the first Slovenian exhibition in the Vatican.
"Jože Plečnik is the greatest son of Slovenian architecture. He was a deeply religious man, which is perhaps less known, and it is not a coincidence that he created objects which we admire today."
Minister Poznič said that it was one of the largest events in culture this year. "The exhibition tells us how our artist, master Plečnik, associated the spiritual and material works in his work," he was quoted by the Culture Ministry.
Labelling Plečnik as one of the greatest men in Slovenian cultural history, the minister said that the "exhibition is an exceptional opportunity, serving as a booster of what sometimes we as a society lack - self-confidence."
Barbara Jatta, the director of the Vatican Museums, is happy that Pinacoteca Vaticana is hosting an "important exhibition of sacral objects by Jože Plečnik, a great architect and designer of the 20th century".
"Plečnik created an original and innovative style, which shows both in his church architecture and in the field of liturgical vessels," Jatta was quoted by the Ljubljana Museum and Galleries (MGML).
According to Peter Krečič, an expert on Plečnik's life and work who arranged the exhibition in cooperation with the Plečnik House curator Ana Porok, Europe and the world truly discovered the greatness of the architect's opus after his work was presented at the Paris Pompidou Centre in 1986.
Primarily famous for being an architect and urbanist, he was also a great designer, with his work being mostly showcased in three European capitals - Vienna, Prague and Ljubljana.
He established himself at the beginning of the 20th century by designing the famous Zacherl Palace in Vienna, then moved on to renovating the Prague Castle and its vicinity, transforming them into the symbol and political centre of a modern democratic state.
Plečnik also turned his hometown Ljubljana into a modern capital, having designed iconic buildings and spaces there.
Encouraged by his brother, who was a priest, he started designing liturgical vessels in 1913, including chalices, ciboria and monstrances, thus revolutionising traditional concepts of such design by introducing modern, clear lines and simple decoration featuring gemstones.
Designing the vessels, Plečnik drew inspiration from the art of sculpture, which makes those designs stand out and provides that transcendent aesthetic value which is essential to experience the sacred, according to Krečič.
The exhibition, entitled Plečnik and the Sacred, has been put on by the MGML in cooperation with the Slovenian Embassy to the Holy See, the Culture Ministry, the Ljubljana Archdiocese and Vatican Museums.
According to the MGML, Plečnik is the first Slovenian artist whose work will be showcased at the Vatican Museums. The exhibition will run until 7 September.
On Wednesday, Pope Francis received sculptor and painter Miko Simčič, the author of a one-tonne bust of the pope, made of Carrara marble, and standing on a pedestal made of two-colour Hotavlje marble.
Simčič said he had made the bust with the pope's approval, which he sees as a great honour, as Pope Francis had so far been rejecting the idea. The bust will be housed in the Vatican, and the artist wants to make more of them and give them to various cathedrals around the world.
You can learn more about the exhibition here
This week we take a break from the colours of late spring and early summer and go back to the work of Igor Andjelić, of Ljubljana’s Gallery Minimal. A striking figure who takes striking photos, he’s been part of the city’s art scene for decades – including as part of IRWIN and NSK, as well designing, among other spaces, ŠKUC and Klub K4 – and has works in the collection of the Museum of Modern Art in New York (MoMA). He's also, in our opinion, one of the best photographers of the city, finding beauty in lines and details that others overlook, with these two images showing Edvard Ravnikar's TR3 in Ljubljana's Republic Square (as detailed here).
While Andjelić shows at various galleries, with a new show opening at Ljubljana's SKUČ Gallery 20 June 2019, the best place to keep up with his work with minimal effort is Facebook, where you’ll find nice surprises, in black and white, on a regular basis.
June 11, 2019
Secession was a new general style that emerged in various but not all places of Europe at the start of the 20th century, following the developments in transportation and telecommunications, mass production, and expansion of the new class of wealthy. The bourgeoisie, while imitating aristocracy in its propensity to decorum, set to break up with traditional styles and historic imitations, which brought not only to variations in how this style was expressed in different cities, but also in what it was called (Secession, Art Nouveau, Jugendstil, Glasgow School, etc.)
Related: Slovenia by the Book: Let’s See the City - Ljubljana: Architectural Walks & Tours - A great book, written by two architects, that acts as your guide to the city
Secession arrived in Ljubljana about a decade after it emerged in the Art Nouveau centres of Europe. Most of Secessionist buildings were completed in the first decade of the 20th century, the majority of which can be found between the old city centre and the railway station, that is along Miklošičeva Street and around Miklošič Park. This part of the city is also known as Secessionist Ljubljana.
For visitors to Ljubljana who would like to take some pictures of this short-lived but beautiful architectural style we have listed some of the most representative examples below.
STA, 20 May 2019 - Reviving the new national library project that has been in the planning stages since 1989 and last saw a seven-year hiatus, Education and Science Minister Jernej Pikalo signed on Monday an annex to the contract for the building's design documents. Estimating the entire project at EUR 50 million, Pikalo expects the funding sources will be mixed.
Signing the annex with the Bevk Perović architecture bureau, which won the competition for the new building in 2012, the minister did not wish to risk a prognosis on when NUK II, meant to supplement the existing library, would be built.
He said the annex was an important step, but added "we will only be happy when the building actually stands".
Pikalo, who hopes that the building permit can already be obtained next year, pointed out that the new National and University Library had already been in the making for years.
While the presently valid systemic act for the project was adopted in 1994, plans for the building, located on an archaeological site, go back even further.
In a 1989 competition the design of architect Marko Mušič was selected for the building, but later dismissed as outdated.
After almost EUR 30 million spent on preparations, the then government decided in 2009 to end all contracts related to the project and published an international competition in 2011, which was won by Bevk Perović Arhitekti.
The costs of the design documents amount to roughly EUR 2 million. With EUR 350,000 already paid for the conceptual design in 2013, the value of the annex singed today is about EUR 1.6 million, Pikalo said. EUR 200,000 were contributed by the Culture Ministry while the rest falls under the Education, Science and Sports Ministry.
The value of the entire project is EUR 50 million. Pikalo, who believes this is the start of a long but right path, said there were different possibilities of financing.
One would entail changes to the 1994 act, another option are EU funds and yet another the funds from the so called Juncker Plan or the European Fund for Strategic Investments. In the end, the sources are bound to be mixed, the minister announced.
Pikalo spoke of a dynamic and activities-based new library that would provide more room for exchange of views and for cooperation.
The 2012 jury described the Bevk Perović design as one that does not consider only the architectural and archaeological context of the building, but presents the new library as the focal point of the network of university facilities and the city's life as a whole.
Bearing in mind the needs of the majority users of the new library, students, the authors opened up the building to the Ljubljana Faculty of Arts, by placing the main entrance to the side of the building facing the faculty.
The other entrance to the library connects the building with the old National and University Library, built in 1941 on the basis of a design by Slovenia's most celebrated architect Jože Plečnik (1872-1957).
We’re huge fans of the K67 kiosk, the modular unit that (as noted in our earlier feature):
was designed in 1966 by the then young Slovenian architect Saša Janez Mächtig (b. 1941, Ljubljana), a former student of Edvard Ravnikar, and put into mass production in various colours two years later. It was made of reinforced polyfibre, steel, and glass, and was intended as to be used as part of modular structures – as seen in some of these photographs – as well as for temporary events. While they stopped being produced shortly after Slovenian independence, many still remain in use around Eastern Europe, although more have disappeared, and others sit abandoned, waiting to be rediscovered by urban explorers.
Saša Janez Mächtig, the designer, in front of one of his many creations. Screenshot from the www.24ur.com report
While one of these little wonders sits in New York’s MoMA, another has is now touched down not far away in Times Square, as part of the NYC Design Pavillion, fulfilling one of its more traditional roles as an information centre. The event runs until May 22, and you can see a short video report on the K67, including an interview with the still vibrant Saša Janez Mächtig, here. The president of the Times Square Alliance, Tim Tompkins, can also be seen saying that the aim of the event was to present the best design from around the world, and joked that the K67 brought a little bit of Europe into the New World, a bit of beauty to a not-so-beautiful place, even a bit of socialism to the centre of capitalism.
K67s in the wild, courtesy of Google Image Search
You can learn more about the K67 in our earlier story, and add a little excitement to your time in Slovenia, and nearby, by then being to spot a design classic that really does deserve the title hidden gem.
All our stories on architecture in Slovenia can be found here
This week's photo is of of Cobbler's Bridge / Shoemaker's Bridge / Cevljarski most, one of the prettiest in Ljubljana, and - as you might be able to guess from the columns - another of Jože Plečnik's contributions. Note that this view comes from Fishmarket Footbridge, a more recent and easy to miss structure between Shoemaker's and the Triple Bridge, but a structure that's one of the best photo spots in town.
It comes to us from Xenia Guzej, who lives and works in Ljubljana and shares her love of the city on Instagram, with a page called ljubljanamylove, where you can also find this earlier picture of the week, showing the bridge in another season.
A little while ago I wrote about a wonderful guidebook to the capital, Let’s See Ljubljana… Beyond its utility and charm, it’s a book that means a lot to me personally, because when I first arrived in Slovenia and was hit by culture shock and disorientation, after almost two decades in the 24/7/365 neon glare of Asia, it gave me a way into the quiet town of Ljubljana through reliable landmarks that had stood the test of time and would serve as anchors for my new life
Swimming pool, Kolezija, Ljubljana. Designed by Ravnikar- Potokar. Photo: Virginia Vrecl
I adopted the pen name JL Flanner because it was slightly more subtle than LJ Flâneur, but the intent and belief remained. If I gave myself up to the city then I’d be rewarded somehow, even if just with a better sense of place and a clearer understanding of my surroundings. So when I got the chance to meet one of the authors, Robert Potokar – the other being his partner in life and work, Špela Kuhar – I jumped at it, both to express my gratitude and to see what else I could learn. It was a meeting that exceeded all expectations.
Buildings in Nature Reserve Škocjanski Zatok, Koper. Designed by Ravnikar- Potokar. Photo: Virginia Vrecl
Robert and Špela work Ravnikar - Potokar, and fans of architecture will recognise that second name, although note that this Ravnikar isn’t directly related to Edvard, the student of Plečnik who also left a considerable mark on the Slovenian capital. Edvard Ravnikar’s most visible work in Ljubljana is the complex in Republika trg, but his work there stretches out beyond this monumental landmark, and is easily spotted if you’re familiar with some of his recurring motifs, like the brickwork patterns and copper roofs. It’s in one of these other buildings, just a short walk away, that Ravnikar - Potokar has its offices, and where I met Robert to thank him for his work. We had a long, undirected conversation, without interview questions and with a walk through the neighbourhood, and what follows is some of what I learned.
A Square and a Playground Under the Castle in Škofja Loka. Designed by Ravnikar- Potokar. Photo: Virginia Vrecl
On his books
I was born in Kranj, but I spent my childhood in Škofja Loka, which is my first love. I’ve also written a guidebook for the Gorenjska region, along with my wife, Špela Kuhar, going through all the important buildings. Traditional architecture, local architecture, churches, everything. An overview of the whole region. It was a lot of work, and people ask we if I’ll make another one, but, well, it’s a lot of work. You start a book and you think this will be a one year project. But then you go deeper, and it’s fractal, it just keeps growing, and if you don’t have a deadline it’s never-ending.
In between we succeeded in making make another guide to Ljubljana. But in general now we focus on the architectural magazine, Piranesi, and that’s OK. In our work, in architecture or life, we just make a few things, but I hope they are important.
I like Ljubljana because it’s not too big, not too small, and it’s still the capital. If you know the advertisement which was on TV for the car Clio – it’s got everything a big one has.
When it’s possible and there’s enough time I walk to work from my home in Trnovo, going different ways and seeing what’s new, or new to me. Seeing people, seeing architecture. When I take people or tourists around the city we don’t only look at buildings, but also things that are nice or not so well known, and in this way they can remember the architecture better itself, and the way the city functions as an evolving whole, with different layers of history and use still present, even today.
The Cooperative Business Bank Building on Miklošičeva. Flickr - Jean-Pierre Dalbéra CC-by-2.0
How things have changed
Do you know the Cooperative Business Bank Building on Miklošičeva? After the Second World War, during socialist times, people were like “come on, this is so ugly, all these decorative elements.” In the 50s, 60s, 70s, maybe even until the 90s, it was seen as nothing special. It was in bad repair and that kind of decoration was out of fashion. But after tourism developed it became one of the most notable and characteristic buildings. A building which is kept in our memory.
So it’s interesting how things change over time. When it was built it was important, and then for decades it was not, architects just didn’t like it.
It’s the same with Plečnik. It wasn’t until the big exhibition of his work, in 1986 in Paris, that he somehow came back to Ljubljana. It was a time of postmodernism, a boom in decoration, and that’s when he got rediscovered. You know, in the 60s and 70s people weren’t really taught about him at the Faculty of Architecture. I was there in the 80s, and we went to Paris to see that show and it was actually a surprise to see what he’d done.
On his favourite building
My favourite in the city of Ljubljana is one just near here, on this street, Mali Nebotičnik (“Little Skyscraper” - see map here). It’s an example of modernist architecture, and in my opinion one of the best, from the 1930s. And not just here, but really in the world. In a way it’s so simple, but it fits the location perfectly and it’s got all typical modernist elements: curved lines as well balconies, railings, details and a sculpture by sculptor Tone Kralj. Modernism was known by adding sculptures on the façades. There are some other buildings like this in Ljubljana, such as at Argentinski Park, but this is the nicest. It’s not so well known, but it’s got really a lot of remarkable features, especially how it fits into the place, although the inside isn’t so special.
Postcard of Mali Nebotičnik (1930s? 40s?). Wikimedia, public domain
Because of its location, right in the centre, the people who bought apartments were rich, or artists. It was renovated just last year, and they did it very well, more or less the same colour as before, perhaps a little more vivid.
It wasn’t so out of fashion as Plečnik, because it isn’t so decorative, and in many ways not so different to socialist architecture, so aesthetically, ideologically, it didn’t have so many problems.
The lighting system for the store names is original, and really well done, with this style being common all over Europe in the 1930s, and even in Argentina, Buenos Aires. Curved balconies are very common, and the top floor is higher because there were studios inside.
If you look at the building next door, built by a German architect, I think, in around 1910, you can see how the architect of the Little Skyscraper (Herman Hus) understood the location, in urbanistic terms, and was able to integrate his work into the space.
If you look at this building here [see below], I think it was done in the 80s, and the architect tried to use some of the same elements, but it’s not as nice (although nothing is).
On Edvard Ravnikar
My late partner in this firm (Ravnikar – Potokar) was called Vojteh Ravnikar, but no relation to Edvard. In fact, the building we’re in now, part of the Ferantov vrt complex, is a Ravnikar, and I think it’s one of the nicest apartment buildings in Europe. Although these days it’s out of style, and people don’t really like the socialist architecture at the moment. That said, with the big MoMA exhibition of arhitecture in ex-Yugoslavia last year [Concrete Utopias], things are changing.
In some ways it’s less socialist and perhaps even “baroque”. These were quite prestigious apartments when they were built, with space for offices and stores at the bottom, a mixed use complex.
You can see how the shops come out of the floorplan, and this way gives more light to the apartments. If you look at the balconies they’re not at right angles, but diagonal, and this also gives more light and privacy. So the details are very well thought out, especially if you compare this to architecture that was done in Eastern Bloc at the same time, in the 1960s, it’s incredible, almost Scandinavian style.
Another very special thing about Ferantov vrt, which you can see from Slovenska cesta, is how Ravnikar somehow introduced the Roman form. Because here, underneath, there were the ruins of Emona – the Roman Forum. For example, there was a basilica, with an apse. So the architect decided to present this in the new structure, with this postmodern evocation of Ljubljana’s past.
There’s another detail, this column [see below, in a bad picture from Google Maps because there's nowhere to stand]. Originally the house where Plečnik was born was standing here. Of course, it was demolished, but then Ravnikar, a student of Plečnik, decided to put up this column in its place. So this column isn’t Ravnikar’s style, but it’s Plečnik’s.
Screenshot Google Maps
Slovenia is a chocolate box of green, stunning landscapes, but I have a greater fondness for city than country, and a love of cool, clean lines as much anything organic. Thus this week your attention is drawn to the work of Igor Andjelić, of Ljubljana’s Gallery Minimal. A striking figure who takes striking photos, he’s been part of the city’s art scene for decades – including as part of IRWIN and NSK, as well designing, among other spaces, ŠKUC and Klub K4 – and has works in the collection of the Museum of Modern Art in New York (MOMA).
While Andjelić shows at various galleries, the best place to keep up with his work with minimal effort is Facebook, where you’ll find nice surprises, in black and white, on a regular basis.
You can spend years without going into a gallery or concert hall, but everyone has an intimate connection with the arts of architecture and fashion, and downtown Ljubljana is great place to observe these two expressions of creativity combined with design and engineering. While I’ve been struggling to keep up with the city’s stylish inhabitants, my guide to its built environment for the last few years has been a small, easy to carry book called Let’s See the City! Ljubljana: Architectural walks and tours, by the architects Špela Kuhar and Robert Potokar (2012, Piranesi Foundation) At a cost of just €18, it’s well worth a place on your shelf or in your bag if you live in the city, or are planning an extended trip and would like to learn more.
The book is laid out chronologically and as a series of six themed walks and five tours. It uses hundreds of photographs, maps, illustrations and plans to show the buildings, as well as the interiors of many places that are difficult to enter, thus putting the city in the palm of your hands. An attractive and well-designed book, it’s as easy to navigate as Ljubljana itself.
Plečnik is the big name when it comes to the city’s architects, but the book shows how there’s much more than his contributions to admire, leading you through the medieval Old Town and Secessionist/Art Nouveau quarters like Miklošičeva, with their colourful and decorative structures, on to post-WW2 Ljubljana and up to today, with the historical development of the city clearly laid out in ways that bring the streets to life. What’s more, unlike Vienna, London, Paris and so on the various buildings and views are relatively close to each other, and nearly all could be seen – from the outside, at least – in a leisurely walk over the course of day, with plenty of café or bar breaks to read up on and enjoy your surroundings.
Take the time to do so and you’ll learn more about the buildings that give Ljubljana much of its character, and of where, for example, the medieval ends and the Baroque begins, how Mayor Hribar compares to Mayor Janković in terms of putting their mark on the city, and what the rivals and students of Plečnik got up to (and if you don’t know Ravnikar, you should, with a key example of his work shown here).
In short, this book contains a wealth of knowledge that’s sure to enrich your time spent in Ljubljana, and is one of the volumes in my apartment that I return to the most, and with most pleasure. You can find it in various bookstores, or order it direct from the authors here, while all our stories about architecture in Slovenia can be found here.