Slovenia has no shortage of niche events and festivals for those who still enjoy the pleasures of the big screen in public, from Kinodvor’s Film Under the Stars at Ljubljana Castle to the Grossmann Fantastic Film & Wine Festival, which brings horror and honest trash to Ljutomer. However, it’s something that’s occurring next week is that’s perhaps the most Slovenian of all – the Mountain Film Festival (Festival gorniškega filma).
1. Slovenian climbers rock
We’re huge admirers of the past and present of Slovenian climbing here at TSN, be it folks with names like Čop, Kunaver, Zaplotnik, Štremfelj, Prezelj, Karo, or Humar in the Julian Alps, Himalayas, Yosemite and Patagonia, or on the wall in sports climbing with figures such as “the best climber in the world”, the still teenaged Janja Garnbret from Kranj. In short, Slovenia has played and continues to play an outsized role in the world of climbing, with many first ascents and new routes. Learning about it will help draw you closer to the land, and you may even end up on Triglav.
If you want to read more about the history of the scene here, take a look at the book Alpine Warriors.
2. Big screen adventure
So the festival’s got that Slovenian cultural heritage going for it – it’s organised by the Mountain Culture Association (Društvo za gorsko kulturo) and the legendary Silvo Karo – but for me the chief appeal is this: these films will be presented on screens far larger than the ones you have at home. They’re thus are better able to convey the full majesty and terror of the scenes on display (as Aleš Kunaver said, “in the mountains magnificence is diametrically opposed to comfort”).
That movie about the guy who climbed that thing without a rope? Imagine seeing this on something much, much bigger:
3. The programme is world class
The programme looks great, with most of the big mountain features and shorts from the last year or so, and there are also movies on topic adjacent to climbing, like the night sky or environment, so we’ll just present the following convenient selection of trailers, with a lot more to be found at the website.
4. A chance to meet the stars
What else can you expect at a mountain film festival in Slovenia? Climbers, and great ones – on the screen, on the stage and in the audience, many of whom live a short drive from the event. Sp Andrej Štremfelj will give a lecture about his ascent of Everest in 1979, when he climbed with the legendary Nejc Zaplotnik, while Aleš Česen and Luka Stražar will be there talking about their ground-breaking ascent, done with Tom Livingstone, of Latok 1 in 2018, “the Holy Grail of high altitude climbing”.
Other names set to talk about their lives and climbs include Rado Kočevar, Hansjörg Aeur, Klemen Bečan and Marija Jeglič. Beyond the Slovenian scene, Colin Haley will be talking about sport alpinism, and one event that’s sure to inspire heated opinions is a roundtable discussion: “Drilling – pitons or bolts?”
5. It’s not just in Ljubljana
While the main events are held in Cankarjev dom, the festival is not confined to the capital. It also has screenings and lectures in Domžale, Celje and Radovljica, while the winning movies will play everywhere (except Celje) at the end of the festival.
You can get a PDF of the programme here
Bonus - the website is ice cool and clean
With a website that's easy to navigate and comes in Slovene and English varieties, letting you search by day, event and venue, the Slovenian Mountain Film Festival offers a perhaps unique chance to see these films on the big screen, with an audience that knows what it’s watching, in a country in love with its mountains.
Related: see all out posts tagged "mountaineering" here
February 10, 2019
The main task of the Slovenian Mountaineering Society (Slovensko Planinsko Društvo, SDP), established in 1893, was to build, take care and then walk along the secured mountain trails. One of the first important improvements on Triglav was securing some of the most problematic parts of the route leading to the summit. In the early 1870s, a local guide, Šest, and his son eased the trail from Triglav temple to Little Triglav, cut some very much needed steps into the rock, and secured the ridge between both peaks with iron poles with loops that carried a rope fence, which now allowed even fewer climbers to reach the summit.
In the years that followed, more trails were built and secured, allowing the ascent to the summit from several huts in various directions, including from the north. This is a route which used to cross the shrinking glacier, but today leads to Kredarica, the most popular starting point to reach the summit since Jakob Aljaž found a great spot for a hut which was built there in 1896.
However, the Slovenian Mountaineering Society did little for a small group of daring young climbers, who were more interested in new routes than tourist walks on known and secured trails. On Triglav, this meant climbing the Northern Wall, one of the largest of its kind in the Eastern Alps. It's 1300m high (following the German route) and 3500m wide, with several shelves and ravines forming independent walls within the big one. Triglav’s Northern Wall is also home to several of the hardest climbing routes in the Slovenian Alps.
Although the first climbers of the Northern Wall were shepherds and hunters, who mostly followed the paths of animals, sports climbing was based on a different kind of logic from that which found a path that was shown to a “gentleman” by a hunter, as the so-called Slovenian route across the Northern Wall was shown by a guide (Komac) to Henrik Tuma in 1910. If the new route for the older generation meant an easier path across a newly climbed slope, the new view on alpinism involved climbing a new, more difficult route without cleared paths and instead with the help of pitons and ropes.
Triglav’s Northern Wall was considered one of the three main problems of the Eastern Alps before it was even climbed, and as such was the focus of German, Austrian and Czech climbers. After the walls of Watzmann (1888) and Hochstadl (1905), the wall of Triglav was finally climbed by three Austrian Germans, Karl Domenigg, Felix Koenig and Hans Reinl, in 1906. The route has become known as the German route, and their success was immediately followed by several failed attempts, some even fatal ones.
In 1908 the Dren society was established, a group of students interested in Alpinism, skiing, caving and photography, novel activities outside the usually promoted Alpine tourism of the Slovenian Mountaineering Society, whose members considered them as “neck-breakers”.
Slovenian Alpinism before World War One was still way behind the developments in other parts of the Alps. The first use of a piton by a Dren member, Pavel Kunaver, is only recorded in 1911, which is also the last year of attempts at the Northern Wall until after the war.
Although Dren members did introduce some novelty into Slovenian climbing, such as winter ascents (sometimes accompanied by skiing) and other more adventurous climbs, their equipment and technique at the time only allowed them to climb routes of the third level of difficulty, and their predecessor and colleague Henrik Tuma hadn’t climbed anything beyond that level either.
This situation can be seen in the fact that the abovementioned German route on the Triglav Northern Wall, which had the climbing difficulty of level IV, was the most difficult route in Slovenian mountains at the time. Hans Reinly, one of the three first climbers described the achievement with the following words: “Triglav rises its triple head angrily. Let it be called Slovenian highest mountain, but this time it was the German force that conquered its most terrifying hip and fought through dark fogs which driven by a storm descent into the depth from the grey ice at the edge of the wall.” Worth mentioning is that in those days there was no meteorological report, and the day and a half climb took place in rain and bad weather.
The guiding ideas of the Dren were to conquer Slovenian mountains before the German mountaineers, try to prevent the Germanisation of Slovenian mountain names, and to climb without mountain guides, which was the main mountaineering style of the time. Lack of manpower and resources prevented these goals being fully achieved, although the ideas persisted throughout the interwar period and became perhaps the main reason behind the increasing Slovenian obsession with Alpinism, which eventually produced some of the best climbers in the world and continues to do so, regardless of the small the size of the place and its population.
After the war, and let’s not forget that one of the bloodiest WWI fronts took place right at Triglav National Park’s eastern border across the banks of the River Soča (the Battle of Isonzo), the main concern of the Slovenian Mountaineering Society was mostly fixing what had been damaged or destroyed.
Furthermore, the Austro-Hungarian Empire fell apart and Slovenia joined the newly formed Kingdom of Serbs, Croats and Slovenes. It turned out, however, that in 1915 the Triple Entente had signed a secret agreement with Italy, promising it large chunks of the Austro-Hungarian Empire in case of victory. With the 1920 Treaty of Rapallo Italy managed to claim most of the lands promised to her by the United Kingdom, Russia and France, which set the Italian-Yugoslav border at the peak of Triglav, a couple of metres away from Aljaž Tower.
Originally, the entire peak of Triglav was to belong to the Kingdom of South Slaves, however, Italy pushed very hard to get the land under its jurisdiction. The dispute was even more meaningful given that it was part of an attempt to extend poor conditions the Slovenes on the other side of the border had to endure in the face of the rising Italian fascism. The negotiations lasted for four years, and while waiting for the final decision certain incidents took place at the top of Triglav, in the summer of 1923 in particular. These are often referred to as “painting battles” but did in fact involve a more serious weapons beside the paintbrushes, which were used to paint Aljaž Tower with slogans and flag colours. Luckily, nobody got hurt, Aljaž Tower was eventually repainted to its original grey, and the final decision on the border in 1924 set the boundary marker 2.55m west from the Aljaž Tower, rendering the summit it effectively Slovenian.
Within the Slovenian Mountaineering Society (SPD) friction between the moderates and those advocating for “steep tourism” continued into the interwar period. Since the majority of members would not allow sports climbing to be recognised within the SDP, young mountaineers splintered off into a Tourist Club Rock (Turistovski klub Skala, TK Skala) in the winter of 1921.
Rock’s main goal was to continue the development in sports climbing started by Henrik Tuma and evolved by the Dren Society. Among the important climbing achievements of TK Skala are the first Slovenian level V difficulty route climbed by a female climber, Mira Marko Debelak, in 1926 (at the north face of Špik), and the first fully successful winter climb of Triglav’s northern wall in 1939 by Beno Anderwald, Mirko Slapar, Bogdan Jordan and Cene Malovrh, who since 1934, when the SPD finally took alpinism under its wing, had also been members of this organisation.
Foremost, however, Skala’s important achievements also extended into the field of art and culture. Like Dren, TK Skala promoted mountain photography and established a special photography department in charge of postcard production and other images for propaganda purposes. But above all, they were responsible for the first Slovenian feature film, the 1931 V kraljestvu Zlatoroga (In the Kingdom of the Goldhorn) and partially also for the second one a year later, Triglavske Strmine (The Slopes of Triglav). The first movie was produced by Skala and directed by one of their members, Janko Ravnik, while the second was produced by an independent film studio, although it featured several mountaineers/actors from the first film, including Miha Potočnik and Jože Čop.
Fanny Susan Copeland was a remarkable person whose life serves as a curiosity and inspiration. A British woman who was born in Ireland in 1872, grew up in Scotland, and moved to Slovenia in 1921, where she spent most of the rest of her life, dying at 98 in 1970, and buried at the foot of Mount Triglav.
Although she wrote an autobiography it was never published and will remain in copyright limbo until 2020. One person who’s seen this memoir is Eric Percival, whose great-great-great-grandfather, Fred Holloway, knew Fanny’s father, Ralph Copeland, once the Astronomer Royal for Scotland, with the two men meeting near Manchester in the early 1860's. Percival put together the original post that sparked my interest in Ms Copeland, and also kindly supplied some of the pictures that accompany this story. Unless otherwise stated, the facts set out below are also drawn from his account of her life, as based on her own and other reports.
Although British by birth, Fanny was a thoroughly European woman, learning French and German as a child and being educated in Berlin shortly after turning 13. She also learned Latin, Italian, Danish, Norwegian and – due to her father’s interest in the Balkans – Slovenian. This connection with the country would be enough to get our attention, but Ms Copeland holds it because she bucks the standard narrative in terms of when and how one can make a new life for oneself. A brief outline of that life is as follows.
Fanny got married in 1894, at the age of 22, to escape her mother, but her husband was a 36-year old man who she never really liked. The couple had three children and then separated in 1908, finally divorcing in 1912, when Fanny was 40.
She developed a stronger connection with what would eventually become Yugoslavia soon after this, during the First World War, when she supported herself by doing translating for London-based South Slavic organisations. As part of this she translated Bogumil Vošnjak’s Bulwark against Germany: The fight of the Slovenes, the western branch of the Jugoslavs, for national existence, as well as serving as translator for the South Slavic delegation at the Paris Peace Conference.
In "traditional costume"
With Oton Župančič at the Congress of Dubrovnik in 1933
Ms Copeland then moved to Ljubljana in 1921, aged 49, when the city was part of the newly formed Kingdom of Serbs, Croats, and Slovenes. She was hired as a lecturer in English at the University (which itself only opened in July 1919), a post she held until 1941, when the Germans invaded. At this point, aged 69, she was arrested by the Gestapo and handed to the Italians, who moved her to Trieste, then to Arezzo and finally Bibbiena (in Etruria), where she spent the rest of the war “in open confinement”.
In 1953, aged 81, she finally moved back to Ljubljana. The death of her brother meant that she now had some savings, and thus Fanny Copeland lived in Hotel Slon for the rest of her life, continuing to work as a writer and translator.
Ms Copeland, right, in the Hotel Slon, late 1960s
But Fanny Copeland isn’t just a fine example of a person who didn’t let their gender or age dictate what they should be doing and when, or of someone who managed to successfully integrate themselves into a new country, as she also played a key role in the development of Alpinism as a local tourist offering, and in the promotion of Slovenia as a tourist destination. This section thus draws from an article by Janet Ashton called “Buried at his feet”: Fanny Susan Copeland, Triglav and Slovenia, and from another, Fanny Copeland and the geographical imagination, by Richard Clarke and Marija Anteric, both of which are recommended for more detail.
Ms Copeland felt a great attraction for the Julian Alps, and Slovenia the Slovenes in general, claiming they were the most Scottish of the Yugoslav communities, perhaps because of the mountains, long dominance by other powers, and characteristics of pragmatism and frugality.
She first climbed Triglav in the 1920s, not having taken up serious climbing until her 40s, and did so for the last time in 1958, just before her 87th birthday. She also wrote two books on the Julian Alps, Beautiful Mountains: In the Jugoslav Alps (1931), and A short guide to the Slovene Alps (Jugoslavia) for British and American tourists (1936). As she said in 1957, this was done in the “hope of attracting to Slovenia tourists of all types, from summer visitors in search of little-known beautiful and inexpensive Alpine resorts to Alpinists in search of accessible mountain ranges not yet wholly exploited or explored”.
Such efforts to reveal what in those days was still a very hidden gem were not without their obvious dangers, as she noted in a much earlier letter from 1923 when commenting on one of her many trips up Triglav: “It is an interesting walk, but as an expedition it is badly spoilt by the path having been made fool-proof. Result, every holiday is made hideous by hundreds of trippers, and the average person has to wait for a holiday to go up.”
Slovenski planinski muzej:- Fedor Košir, president of the Alpine Association of Slovenia and Fanny Copeland.
As mark of respect for her work to promote the Julian Alps, and to establish Triglav National Park, when Fanny Copeland died her funeral was organised by the Mountaineering Union of Slovenia. She was buried in the cemetery of the village church in Dovje, where you can still see her simple grave, as shown below.
Wikipedia - Miran Hladnik CC-by-2.5
As Copeland wrote in 1931:
By fixed custom those that perish on Triglav are buried at his feet. In the pretty village church of Dovje, opposite the entrance of the stately Valley of the Gate (Vrata– truly a gate to be called Beautiful) they lie side by side. I think they would have it so. The long shadows of the regal avenue of peaks, down which they passed to their last adventure, sweep over their graves as the days and the years roll by; on All Souls’ day the mountaineers bring them pious offerings of prayer and lights, and from their tombstones their names cry greeting and warning to the hosts that go up year by year to visit the mountains, - greeting to the many who go up by the blazed trail where every danger spot is made safe with iron bolt and wire rope, to protect the unwary and put heart into the timid, - greeting to the few who seek, like themselves, to win the goal without guidance save the love of the heights, and no company except the extreme mysteries of life and death – greeting to the cragsman and the lover, to schoolboy and hunter, to smuggler and spy, and the ski-shod friend of the snows….
So if you find yourself in Hotel Slon, on Mount Triglav or by the village of Dovje, spare a thought for the remarkable Fanny Copeland, a woman who not only did as much as anyone else working in English to make the case for a separate Slovenian identity, one distinct from land’s association with the Habsburgs, Slavs and Serbo-Croatians, but also did much to bring the beauty of the land to a wider audience, and to share the best of her adoptive home with the world.
As to what life was really like under Tito for a woman born to the academic elite under Queen Victoria, Copeland addresses this at the end of her autobiography, with a postscript to the reader:
But have you really found good reasons to go and live in a ‘communist’ state? This was a question I was often asked soon after my return to Ljubljana. Well - for one thing it depends on what you mean by 'Communism'. If you mean a totalitarian regime then my reply is that no Yugoslav would put up with such a system… The Yugoslavs are stout individualists, but they appreciate law and order. Ask any British tourist who has visited Yugoslavia in recent years.
All our stories on mountaineering in Slovenia can be found here
January 28, 2019
Read part one here.
If the first mountaineering successes took place in the late 18th and early 19th centuries, the second half of the latter saw the emergence of mountaineering organisations, which built mountain huts, marked and maintained trails, and brought mountaineering closer to the broader public.
On Triglav, the first mountain hut (called Triglav Temple) was built in 1869 by Jože Škantar at the initiative of the local chaplain, Ivan Žan. The hut was part of the plan to establish the first Slovenian mountaineering organisation by some of the locals of Bohinj, who also sought to register the first Slovenian alpinist club, Friends of Triglav, in 1872. Unfortunately, just as the authorities returned the papers, demanding a change in the place of registration from ‘Bohinj’ to one of the villages in the area, Ivan Žan was transferred from Bohinj to Škofja Loka, and the six-day deadline to fix the problem was missed.
The aforementioned Triglav temple, a simple wooden hut, standing at the elevation of 2,401 metres, managed to defy the devastating forces of nature for about five years. Then, in 1877, Jože Škantar together with his son erected another, much stronger building, which was taken over by the merged German and Austrian climbing clubs (Deutscher und Österreichischer Alpenverein, DÖAV), and therefore also carried a German name, that is, Triglav Hütte. In 1911 Triglav Hütte became a property of the Austrian Tourist Club, which changed its name to Maria Theresien Haus and enlarged into its current size. The building changed its name again in between the World Wars, when it was called the Alexander hut. Only after the Second World War did the hut finally got its currently neutral name, Dom Planika (Edelweiss hut).
Two decades passed before another attempt at a Slovenian mountaineering society (Slovensko planinsko društvo, SPD), which was finally formed in 1893. Meanwhile, trails and huts in the mountains were built and maintained by German and Austrian clubs for German and Austrian mountaineers.
In 1892, six Slovenian mountaineers from Ljubljana met at the Rožnik restaurant at the top of the Ljubljana hill with the same name, where they founded an informal club called Pipa (Pipe), since one of the many rules, most of them hardly to be taken seriously, was that all of its members had to be equipped with pipes, tobacco and matches, along the rule that members had to visit one of Slovenia’s mountains every Sunday, or at least walk to the top of Rožnik. They also put together a single copy of one issue of a newspaper with jokes and mountaineering stories, which was kept at the Rožnik restaurant for its members to read free of charge, while other visitors had to pay in order to do so.
On one of their trips, Pipa members discussed the problem of German domination of their activity in the Slovenian mountains, which eventually resulted in the Slovenian mountaineering society, or Slovensko Planinsko Društvo (SPD hereafter), which was formally established in 1893 in Ljubljana. Numerous branches of this society emerged in other parts of the country in the years to follow, including its Radovljica branch in 1895, where one of the constitutive members was also a local priest – Jakob Aljaž, a name that still lives on the summit.
SPD begun marking the mountain trails and building its own huts, which Germans called huts of defiance, since they were often built just a few metres away from the German ones. From this defiance came the idea of Jakob Aljaž to purchase the top of Triglav and decorate it with a tower which would eventually bear the first writing in the Slovenian language in the entire Triglav massif area: Aljažev stolp.
The tower was designed by Aljaž himself, and manufactured by his friend, tinsmith Anton Belec from Šentvid (Ljubljana) in 1895. The tower was a metal cylinder with a metal flag bearing the year of its construction stuck to the top.
Parts were taken by train to Mojstrana and carried to the top of Triglav by a group of six strong men over a span of one week. It was then to be put together by Aljaž, Belec and three assistants. On the night of their final climb to the mountain the five rested in Deschmannhaus, one of the three huts on Triglav at the time, all run by the Carniolan section of the DÖAV, which fought against any bilingual signs on the mountain and also prioritised German climbers over Slovenian ones when they were looking for shelter in their mountain huts.
However, foggy weather cleared the mountain, which meant that the group could work at the top without being disturbed by potentially outraged bystanders. The fog, however, also meant that Aljaž decided not to climb to the summit but rather to “supervise” the construction from below by listening to the sounds of the hammers hitting brass. The tower was standing after about five hours of such work.
Once the tower was discovered the DÖAV was enraged and demanded its removal in a legal battle that was based on a claim that Aljaž had destroyed a triangulation point, which allegedly stood at the tower’s location. Aljaž on the other hand claimed that no such trig point was ever in the tower’s location, apart from a wooden pyramid which had been placed at the top 40 years earlier and destroyed by weather long before the tower was erected. His claims were eventually confirmed by a key witness, Captain Schwartz, who later asked Aljaž to allow a trig point’s information pergament to be placed under the tower, carrying information about its coordinates and the elevation point of its top, which effectively brought the tower under the Emperor’s protection. Later on Aljaž donated the tower to the SDP.
With the tower also came a song, which became the SDP’s official anthem. In 1894 a poem Slavin, written by Matija Zemljič, caught Jakob Aljaž’s eye, so he wrote music for it after which it became known as Oj, Triglav, moj dom. It has since been adopted as the official anthem of the Slovenian Mountaineering Association, and also serves as a basis for the fanfares starting and ending the Ski Jumping FIS Finals in Planica.
With the tower at the top Triglav thus became the main symbol of the Slovenian national identity.
Meanwhile, a struggle of another kind had emerged. SDP and its touristic culture of walking to the top of a mountain became too small to accommodate the emerging new culture of alpinism within one group. The peak of Triglav may have been conquered, but the battle for domination now opened at the mountain’s northern face, also known as Triglav’s northern wall.
To be continued.
Last week we came across a photo, as seen here, and ended up learning more about the person behind it, Jerneja Fidler Pompe, or Neja, who runs Exploring Slovenia. This is a site that shares Neja’s love of the mountains in words and photographs, with support from her Instagram page. And in addition to introducing various walks, hikes and climbs in the region, Neja also runs tours enabling you to travel safely and see the best views, as found by experience locals and guides. Always curious and eager to learn more, we got in touch with Neja and asked her some questions, as follows.
How long have you been running Exploring Slovenia?
It’s been three years now. Three years ago, I had this idea to start blogging / vlogging about Slovenian mountains, climbed Mt. Storžič, created a video about the climb (as seen below), opened a channel on YouTube, Facebook, Twitter, and after a month also my blog and Instagram. That’s how it basically all began.
Why? Before following my heart into the mountains, I had been managing a blog and other social media channels for a well-established international IT business for years. I loved my job, I loved blogging, yet somewhat lost the passion for IT, so I decided to finally give something a go I’d always enjoyed.
If readers aren’t familiar with Exploring Slovenia, what does the website try and do, and what are three to five posts that you recommend?
In case you haven’t stumbled upon my blog Exploring Slovenia yet, let me give you a brief idea of what to expect.
Expect various outdoor ideas on what to do in Slovenia, particularly in the Alps, that range from beautiful family hikes, easy, moderate to demanding climbs in the mountains, tips on the best hikes with regard to the season, and, most of all, interesting adventures in the outstanding Slovenian backcountry.
To name a few, my favorite blog posts are the following:
Encircled by high mountains, this picturesque village offers a plethora of hiking trails: Bohinjska Bistrica as it lists quite a number of spectacular hiking ideas in Bohinj Valley, a beautiful glacial valley favored by tourists and locals alike.
Exploring a most beautiful Alpine valley of Slovenia - hiking, climbing and fly-fishing in Logar Valley for holiday ideas in Logar Valley, where I personally note one of the most genuine and memorable experiences in the Slovenian mountains.
When Velika Planina dresses in purple to help you explore an extraordinary wonder at a high-Alpine plateau close to Ljubljana, where every spring endless fields of purple crocuses flood the whole plateau, coloring it purple.
Beautiful Alpine Slovenia in a time-lapse video, where you can watch my 3-minute time-lapse video of the Slovenian mountains - a project that sums over a year-and-a-half worth of videos collected from over a hundred of trails.
Up to Triglav over its North Face and down to the Krma Valley where I take readers on a two-day adventure from one valley to another across Triglav. And of course, there are many more.
What has the experience of running the site taught you?
Probably the most important lesson I learned was to always produce excellent content. Not only in regard to providing the audience great stories, but also taking them through the places I talk about through breathtaking photos and videos. Plus, always to think of new, intriguing adventures not only for proven mountaineers, but also for average hikers that want to simply enjoy the spectacular landscapes Slovenia has to offer.
How important is Instagram to your work?
It’s nice to have it, since I do far more adventures than I have time to blog about. Therefore, most of my hikes are shown only on Instagram, with the very best and most interesting ones also on my blog. It’s a platform that can connect you with your audience in a more personal way, while it also allows you to grow your audience if you approach it the right way.
How long have you been offering tours?
I’ve been always happy to help my readers connect with a mountain guide if they needed one for a certain ascent in certain conditions, but I started offering tours myself last summer. The most popular is Triglav in all seasons and on all routes. It’s the highest mountain in Slovenia, and as such the most obvious choice either when you’re visiting the country for a week or you live there and haven’t found the courage to climb it yet on your own. Nevertheless, Triglav is indeed one of the most fascinating climbs in Slovenia and, must I say, never disappoints, not even those who’ve climbed it several times.
When is the best time of year to climb Triglav, if you’re not a regular climber, and when do you like to climb it?
The easiest time to climb Triglav is when there’s no snow on the way, meaning usually July – September. Even a little bit of snow brings extra hassle and the need to bring extra gear for snow conditions, especially when it’s combined with ice. I prefer climbing it in June, the end of September and October to avoid the crowds. I haven’t climbed it in serious winter conditions yet, when the steel cable is hidden underneath the snow, but I’d love to do that with the help of a mountain guide.
How do you feel about the way tourism is developing in Slovenia?
I love the fact that Slovenia is becoming more recognized in the world and more people are coming to see our wonderful country. In regard to service providers, particularly those working in mountaineering tourism, I like the fact that most of them are well-trained and internationally licensed mountain guides, thus assuring top-level safety and service.
How would you like tourism to develop in the future?
More boutique small groups with respect for our land who visit Slovenia to enjoy incredible landscape, good food, and rich culture, while on the other hand also receive a great service. While I love the fact that the Slovenian mountains are accessible to anyone with the desire to climb them, it would be nice to add more service to the mountain huts for the more demanding guests. I would also love to see more mountain huts open all year round, more options in the food menu, nicer bathrooms with a possibility to shower, heated rooms, etc., which could as well be offered as an extra service as long as it’s available.
Finally, away from hiking and “work”, can you recommend a few things to our readers.
Places: Anything hidden from the main tourist attractions. I really love the Logar Valley for its beautiful landscapes, rivers, waterfalls, and, most of all, welcoming people. While the most memorable experience for me was to fly over the Julian Alps in a hot-air balloon.
Food & drink: Organic herbal tea made of flowers picked in the mountains, roasted lamb and potatoes, beef and mushroom soup, apple strudel, chocolate štruklji (served in the mountain hut Kofce in the Karawanks).
Sports events: Marathon Franja, Goni Pony, and Juriš na Vršič
Books: Čefurji Raus (Vojnović), Alamut (Bartol)
Movies: Gremo mi po svoje and Houston, imamo problem.
Music: Siddharta – Ledena, Napalm 3, Sfinga, Narava; Lamai – Spet te slišim.
January 22, 2019
It is said that every true Slovene should climb to the top of Triglav, the highest Slovenian mountain, at least once in their lifetime.
However, recent reports of heavy traffic at the top of the mountain along with the trash trail that follows it are evidence that such an expression of national pride doesn’t come without the cost these days. Calls to drop the ‘everyone on Triglav’ idea and replace it with practices that are focused on preservation of nature rather than the defence of territory by repeated conquests of inhabitable lands have been becoming louder in the last two decades. Such a paradigm change is even more pressing since the struggle for independence ended with the final acquisition of the Slovenian statehood in 1991.
This article, however is not about what should be done about mass tourism at the top of Slovenia’s highest peak, but rather how it has all begun. How and why did Triglav and mountaineering in general become so tightly knitted into the fabric of the Slovenian national identity.
“To conquer the summit” is in fact a literal translation of a Slovenian expression for reaching the summit (osvojiti vrh), while the very idea of climbing to the top of a mountain instead of worshipping it from the bottom originates in the ideas of the Enlightenment.
One of the most important places which allowed for the enlightenment to spread among the 18th century Slovenes was, perhaps surprising for some, a secluded mining town called Idrija, the location of the world’s second largest mercury mine. As such, Idrija attracted some of the Europe’s finest natural scientists of the time, in particular Giovanni Antonio Scopoli and Balthasar Hacquet. And both men played an important role in the series of events that lead to the first reaching of Triglav’s summit in 1778, which took place eight years before Mont Blanc, the highest peak in the Alps, was climbed.
Now, Triglav at the time was not Triglav today, equipped with ropes, iron fences and widened trails, and even though the peak lies below three thousand metres, it was quite a difficult mountain to climb, not something one could do on the first attempt. So how did the two enlightened thinkers influence the idea to get to the top?
Scopoli, born in the Southern Tirol (today’s Italy) of the Hapsburg Empire, served in Idrija as the first mine physician between 1754 and 1769, a job which included extensive research on the surrounding botany (no antibiotics in those days), including the Julian Alps, the location of the Triglav massive. This is why Scopoli ended as the first man at the top of Storžič (2,132m) in 1758 and Grintavec (2,558m) in 1759. In 1760 Scopoli published a book on his findings called Flora Carniolica and kept a regular correspondence with no other but the father of contemporary taxonomy, Carl von Linné (aka Carl Linnaeus) in Sweden. The two communicated in Latin.
Apart from his inventory of over 1,100 plants from the Slovenian Northwest, Scopoli also founded an education programme in metallurgy and chemistry in Idrija, which he eventually left for professor’s position at several respectable universities in central Europe.
In Idrija, Scopoli was joined and then replaced by a French surgeon and natural scientist Balthasar Hacquet, who, intrigued by Scopoli’s work, came to Idrija in 1766. Hacquet, also credited with the first description of mercury poisoning symptoms, followed in Scopoli’s steps and attempted his first ascent to Triglav in 1777, but only reached one of the mountain’s lower peaks, Mali Triglav.
At the time Hacquet was also in correspondence with Žiga Zois (Sigmund Zois), a natural science enthusiast, geologist and at the time the richest Slovene, who had just purchased an ironworks facility (fužina) at the foot of the mountain in Bohinj.
Why Sigismund (Žiga) Zois decided to sponsor the first expedition to the top of Triglav in 1778 is not entirely clear, as the so-called Bohinj papers in which expedition details were discussed have been lost. According to one theory, the predominant reasons were to send someone on the lookout for possible new ore deposits. Another theory is that Zois got inspired by the failed attempt of his geologist pen-pal Hacquet. Either way, Žiga Zois presumably promised a financial award to anyone reaching the top and also organised an expedition, which eventually successfully reached the summit for the first time in 1778.
The expedition was led by Zois’ ironworks facility physician and Hacquet’s student Lawrence Willomitzer, who was to be accompanied by three local guides: Luka Korošec and Matevž Kos, both miners and a hunter Štefan Rožič. Although there is some debate about wether or not all of the men really reached the top, in 1978 the Mountaineering Association decided to depict all four men in a statue in Ribčev Laz, Bohinj, as “more first ascents are better than less”.
Besides researchers and the nobility (Žiga Zois was a baron), another group of people was interested in mountaineering in those early days: priests.
The first one to mention is Valentin Vodnik from Šiška (Ljubljana), who went to Triglav in 1795 in another of the expeditions financed by Zois. The main goal was to prove the neptunist theory on the sea origin of Julian rocks, and thereby refute the plutonist claims of the rock’s volcanic origin, a dispute Zois found himself in with an acquaintance from Transylvania, Johann Ehrenreich von Fichtel, whose claims on the upper parts of the mountain to be of volcanic origin were based on a simple assumption. To prove Fichtel wrong Zois needed a specimen from the top of the mountain that would show some sediment, which was eventually provided by Vodnik.
Valentin Vodnik, however, didn’t stay priest much longer after meeting Zois in 1792. He switched to teaching position at Ljubljana grammar school six years later. As such, both Vodnik and his patron Zois are part of the group responsible for the early experimentations with Slovenian nationalism, which in the case of Valentin Vodnik meant the use of what was then considered vulgar peasant language in poetry. Indeed, Vodnik’s 1794 ascent of Kredarica and then a year later of Triglav inspired one of his better poems, Vršac.
With Austria’s defeat by the Napoleon’s army, life changed significantly for Vodnik in 1809, when the newly established Illyrian province with its capital set in Ljubljana allowed him to teach in the Slovenian language. He became a principal of Ljubljana grammar school and a supervisor of vocational and handicraft schools. Vodnik marked this French move in support of local ethnic empowerment with an ode called “Illyria reborn” (published in 1811), for which he had to pay a price once the Austrians took their territory back in 1813 – he was banned from ever teaching again in 1815.
In this circle of early priest alpinists we can also count the Dežman brothers, who also reached the top of Triglav in the years of 1808 and 1809. Among Slovenia’s most notable alpine climbers at the time, however, Valentin Stanič stands out as the first proper alpinist in a contemporary sense of the word. His ascents were often unique and daring, since he regularly climbed solo without a guide and even in winter time. He climbed various European mountains, including Grossglockner in 1800. In 1808 he and his guide Anton Kos reached the top of Triglav, where Stanič measured its altitude with a barometric device and only missed the exact figure by 7 metres, an admirable result for an amateur surveyor. Although it seems that his climbing initially served his scientific interests, Stanič later developed a much more sporting interest in trying to climb as many mountains as possible, to be the first one to reach unconquered summits, and on the way overcome hardships and experience happiness and excitement, attitudes that were very unusual and forward-thinking for the era he climbed in.
Despite this, most researchers, noblemen and priests would not head into dangerous mountain conditions without local guides, with this latter group less concerned with getting to the top of the mountain than they were with the opportunity to make some money for themselves and their families.
In the middle of the 19th century several ideological attitudes developed in the mountaineering communities of Europe.
The sporty style of the British nobility on Europe’s most prominent mountains came into being with the help of local French and Swiss guides. This elitist style of climbing by a leisure class who could afford to travel abroad and mount expeditions was contrasted by the style of the Germans, who were climbing at home and thus needed less money to do so, and for whom mountaineering was less associated with class, prestige and conquest. Well, until the Slavs enter the picture.
For most of the Slavs, and especially the Slovenes, mountaineering was closely associated with a defence against language- and class-related Germanising influences, as seen, for example, in the use of new German names for mountains and other places that were originally in Slovenian, a process that increased with the growing number of well-organised German climbing groups who were visiting the Julian Alps at the time. On top of this, Napoleon’s short-lived Illyrian province, which planted the seed of nationalistic sentiment in the minds of the Slovenian masses, strengthened the assimilating pressures of the Austrian empire, which in turn generated much greater resistance. Mountaineering thus became part of the Slovenian national project, and Triglav as the highest peak in the Julian Alps was its symbol.
To be continued.
“A fire burned inside me and I knew only two ways out: either to keep stoking it or allow myself to be burned by it.” Nejc Zaplotink, Pot
There are many moments of horror when reading Bernadette McDonald’s Alpine Warriors (2015). The horror of snow, ice and wind to contend with, along with vertical walls, overhangs, collapsing seracs, avalanches, frostbite, lost shoes, exploding stoves, and death. And there is, as in every climbing book, death aplenty, the narrative always taking an ominous turn when recollections slip away and it becomes clear the climber in question never got to tell his side of the story from this point on, that they disappeared into the snow.
Alpine Warriors, a follow-up to McDonald’s 2008 book on Tomaž Humar, tells the story of two or three generations of Slovenian climbers who came to prominence in the 1960s to 1990s. This small group made many first ascents and established new routes up the most difficult faces. They were also key players in the dramatic changes overtaking the sport of alpinism as it evolved from a nationalist, state-sponsored activity to a more individual and commercialised one, with documentaries, energy bars and branded jackets, not to mention the opening of Everest to weekend climbers and those in mid-life crises. The same years saw a move from huge, months-long siege-style expedition climbs with dozens of high altitude porters and tons of equipment, to the light and fast style that at its most extreme ends up in solo ascents with only what you can carry in a backpack, up and down mountain in a few days.
The latter, exemplified in the book by the likes of Tomo Česen (b. 1959, Kranj) and Tomaž Humar (b. 1969 Ljubljana, d. 2009 Nepal), may seem more dangerous to non-climbing readers, but there’s a logic to it. The faster you move, the less danger you’re exposed to in terms of the elements. Think of camping out on the face of a mountain as like playing Russian roulette, and each day, as the sun warms the face, there are avalanches, sometimes lasting for hours, meaning in some places there’s only four hours of safe climbing, during which you need to make some ground and then dig a snow cave before the weather turns. The book is thus full of extreme events, amazing escapes and tales of endurance that appear superhuman. And despite all the skills of the climbers, and all their good judgement and experience, sometimes people just vanish, overwhelmed by the forces of nature, and other times they make it down, frostbitten and exhausted, having survived through the luck of the draw.
McDonald picks Nejc Zaplotnik (b. 1952 Kranj, d. 1983 Nepal) as the thread that runs through this group of climbers, who either knew the man or grew up hearing about him, not least through his book Pot. Despite its lasting success in Slovenia this work remains untranslated, but the title means “the Path” or, in a more Daoist sense, “the Way”, and the excerpts in Alpine Warriors set out a philosophy of climbing and being in the mountains that’s very tempting if divorced from the realities of life at 8,000 metre – “A path leads nowhere but on to the next path. And that one takes you to the next crossroads. Without end.”
The story begins in 1960, with the first Yugoslav team being sent to the Himalayas as part of a state-funded expedition, with the bulk of the talent coming from Slovenia. As McDonald notes, “the topography, combined with the hard-working, pious, matter-of-fact Slovenian temperament, honed and perfected under German/Austrian domination, created the perfect climbing machines.”
One side the of the narrative thus follows the changes in Slovenian society from the simplicity and relative poverty of the 1960s and 70s, when just leaving the country with visas and enough equipment was a trial, to the more open and individualistic 80s, 90s and beyond, when media interest and commercial sponsorship gave climbers more options than following the dictates of the Alpine Association. As McDonald tells it, the Association, as a nationalist endeavour, remained focused on goals such as climbing all 14 eight-thousanders, while the climbers themselves often had their own ambitions, like finding new routes up challenging faces, no matter what the height or where their partners came from (with, for example, Marko Prezelj forging a long partnership with the American Steve House - as seen in the following documentary, along with Vince Anderson).
Within this setting McDonald sets up various the personality conflicts, making clear there’s not one type of climber, even at the highest levels. Zaplotnik is thus presented as the romantic mystic, Silvo Karo (b. 1960 Ljubljana) and Marko Prezelj (b. 1965 Kamnik) as taciturn and plain-spoken (the latter on Kangchenjunga “At first it looks shit, and then you begin to solve the problems. Without complexity I am not challenged.”) and Tomaž Humar as an unstable, driven man, pushing himself into a public role and then retreating from it, eventually dying alone at the top of a mountain after his life at base level seemed to have fallen apart.
There are many scenes when even the most imaginative reader will struggle to feel what it’s like to experience 200 km per hour gusts of wind or -36°C while trying to bivouac on a ledge “three butt cheeks wide”, or to find your tent has been crushed by snow, equipment lost, ice axe shattered, partner vanished, with no hope of rescue but a will to live and endure that might not be enough. These are extraordinary men (and a few women), the kind who can say, like Tomo Česen,“I knew…that I could go three to four days without food and two or more days without sleep”.
Česen himself is presented as a pivotal figure, both for his early acceptance of sponsorship as a way of breaking free of the Alpine Association, and for the scandals related to claimed ascents of Jannu and Lhotse’s South Face, which suggest how commercial pressures changed the nature of the sport, demanding ever-greater spectacles, leading to the circus that often surrounded McDonald’s last focal climber, Tomaž Humar.
Others covered in the book include Tone Škarja (b. 1937 Lubljana), Stane Belak-Šrauf (b. 1940 Ljubljana, d. 1995 Mojstrovka, avalanche), Marjan Manfreda (b. 1950 Bohinjska bela, d. 2015 Gorenjska, traffic accident), Stipe Božič (b. 1951 Croatia), Drago Bregar (b. 1952 Višnja Gora, d. 1977 Pakistan), Viki Grošelj (b. 1952 Ljubljana), Borut Bergant (b. 1954 Podljubelj, d. 1985 Nepal), Franček Knez (b. 1955 Celje, d. 2017 while climbing in Slovenia), Andrej Štremfelj (b. 1956 Kranj), Slavko Svetičič (b. 1958 Šebrelje, d. 1995 Pakistan) Janez Jeglič (b. 1961 Tuhinjska dolina, d. 1997 Nepal), and Vanja Furlan (b. 1966 Novo mesto, d. 1996 Mojstrovka). There are thus too many interesting characters here for this review to touch them all, but one we’ll highlight is Aleš Kunaver (b. 1935 Ljubljana, d. 1984 Jesenice, helicopter accident), the team leader on many expeditions who was able to bring out the best in his climbers while remaining in the shadows and often off the summit. It was also Kunaver who opened the first school for Sherpas in 1979, in order to reduce accidents in the Himalayas, and from whom we get the quote “In the mountains magnificence is diametrically opposed to comfort”.
Aleš Kunaver. Source:
And while there are deaths throughout the book many of the characters are still alive and active on the scene, firmly enmeshed in the both the history and present of alpinism and climbing in general, not just in a Slovenian context, but globally. The move from high to steep mountains, to walls with more technical difficulty than altitude, can be seen in pop culture triumphs like Alex Honnold’s free solo of El Capitan, as well as less publicised ascents such as that of the North Face of Latok, the “holy grail” of high altitude climbing that was finally achieved in summer 2018 by a Slovene-British expedition consisting of Aleš Česen (Tomo’s son), Luka Stražar and Tom Livingston (as reported here).
So although the book Alpine Warriors was published in 2015, and ends with Humar’s death, the story continues, and is one that those of us who live in Slovenia can easily feel a personal connection to, through the men and women who live among us when not climbing, and through the stunning landscape that has shaped such people and inspired dreams of the freedom that’s possible when one leaves the towns and cities and goes up into the mountains with good friends or alone.
In short, I enjoyed this book a lot, and if any of the above struck your interest then consider picking up a copy of Alpine Warriors, by Bernadette McDonald, and learning much more about Slovenia’s climbers. I’ve seen both English and Slovene editions in bookstores here, and it can also be ordered online in paper or ebook versions.
We got Bernadette McDonald’s Alpine Warriors for Christmas, a book that recounts the history of Slovene alpinism from the 1970s on. It’s a fascinating tale, one that we’ll be reviewing here soon, and as part of the reading process it’s been necessary to go online and check out photographs, videos and maps to get some idea of what this generation or two of climbers achieved, when a few individuals from a small and relatively impoverished country opened up new routes and conquered new faces, driven by an inner fire to continue through terrible conditions with minimal support, and often paying the highest price for their results.
Two names that appear in the book are Marko Prezelj and Silvo Karo, and one of the great themes of the stories McDonald tells is the bond that exists among climbers, a breed apart in terms of abilities, motivations and goals. It was thus a delight to find the following video of Prezelj and Caro talking about a young Slovene climber, Luka Lindič, born in 1993. Not only do the older men look happy, healthy and at peace, but they’re still active in the scene and passing on their knowledge and experience to the next generation, alpinists like Lindič who know they’re standing on the shoulders of giants.
So enjoy the video, and – if you’re not aware of Slovenia’s outstanding record in the Himalayas, Patagonia and elsewhere – bear in mind that this is yet another field of human endeavour in which the country is truly first class, and one that it’s well worth paying attention to.
Slovenia has a strong place in the history of alpinism, the achievements of its climbers stretching from Patagonia to the Himalayas, with many first ascents, new routes, and novel approaches written into the history of the sport, and the years since the mid-1970s being especially productive. In English the story can be explored in Bernadette McDonald’s excellent Alpine Warriors, which takes a broad look at the last few decades in terms of Slovene climbers, as well as the same author’s Tomaž Humar, narrowing the focus to one of the sport’s better known figures.
It’s a history that deserves more attention, and one we aim to return to over the winter, but for now take the following video as a 12-minute visual history of alpinism in Slovenia, and get a feel for why it’s a sport worth following if you intend on making a life here.